The top 10 Bollywood movies of all time appear to be a challenging task. Make no mistake: Bollywood is not a distant cousin of Hollywood. The Hindi-language film business in India is a self-contained cinematic universe that requires no guidance from its Western equivalent.

Bollywood is frequently misunderstood as a geographical location or a genre, having been named for the formerly-named city of “Bombay,” now known as Mumbai. Bollywood is an Indian film business recognized for its use of the Hindi language. Top 10 Bollywood movies are frequently made in Mumbai and are renowned for distinct genres such as the masala film, Bollywood is an Indian film industry designated for its use of the Hindi language.

From its colorful, awe-inspiring masala blockbusters to the hyper-real films of alternative cinematography, the Bollywood business has created some of the cinema’s most magnificent and lavish films. You’ll get everything you want and more in these Bollywood and Indian film masterpieces, whether you’re searching for adventure, suspense, love, or humor.

It’s difficult to compile a “Top 10” list from such a broad area, but we’ve chosen ten films from various genres that we think are competitors for the Top 10 Bollywood movies. Let’s begin with our finest list.

Mother India (1957)

Mother India follows Radha, a lady played by Nargis, whose husband abandons her low socioeconomic status, leaving her to care for her two kids alone. Her family’s sole source of income is a plot of land with rocky soil that is difficult to farm. The narrative emphasizes sacrifice, morality, honesty, and women’s duty as mothers, not just to their children but also to the land and country. The film received positive reviews and is widely regarded as one of the finest Bollywood movies of all time.

Muhghal-e-Azam (1960)

The Great Mughal (“Mughal-e-Azam”) is a romantic drama set in Mughal India. The plot revolves around Prince Salim (Dilip Kumar) and Anaar Kali, a courtesan (Madhubala). King Akbar, the father of Prince Salim, is played by Prithviraj Kapoor, who is opposed to the young couple’s love. Mughal-e-Azam, which was premiered in 1960, was the most costly Hindi film ever filmed at the time. The picture conveys grandeur as well as a hopeless romantic relationship. While the characters of Akbar and Salim are based on actual individuals, the story’s elements are not.

Aanand (1971)

Anand was a legendary Indian film that showcased Rajesh Khanna’s acting abilities. The film told the tale of vibrant individual suffering from a terminal sickness that lives each minute to the fullest and puts a smile on everyone’s face. When Rajesh Khanna and Amitabh Bachchan finished the film, virtually every eye in the audience was filled with tears.

Sholay (1975)

Sholay is a typical “masala” film, meaning it includes a little bit of everything: adventure, love, comedy, patriotism, and numerous storylines. It is one of the most successful Bollywood films of all time. Two thieves named Veeru (Dharmendra) and Jai (Amitabh Bachchan), a retired police officer named Thakur (Sanjeev Kumar), and a bandit named Gabbar are the central characters in the narrative (Amjad Khan). This basic tale of vengeance and the triumph of virtue over evil hide a multi-layered and often puzzling moral.

Hum Aapke Hain Koun…! (1994)

Hum Aapke Hain Koun…! is a film that celebrates Hindu wedding rituals as well as family life. A wedding, delivery, and a relationship between two people are all featured in the narrative. Although all Bollywood films include songs, Hum Aapke Hain Koun…! There are a total of fourteen musical interludes in the picture, about twice as many as in a regular film.

Dilwale Dulhaniya Le Jayenge: DDLJ (1995)

Many young Indians went to Western nations in the 1990s to pursue financial and other possibilities. Dilwale Dulhaniya le Jayenge (DDLJ) is a film about two non-resident Indian lovers who battle with their parents and their own perceptions of what it means to be Indian while living overseas. Its classic love tale is a moving remark on parents’ expectations of young ladies and how these expectations might conflict with reality.

Lagaan (2001)

This classic sports drama Lagaan (“Taxes”) is set in colonial India and recounts the tale of a drought-stricken hamlet that is subjected to additional taxation by the British. The film’s main source of tension is cricket: Aamir Khan’s character, a villager, challenges the local British authorities to a game of cricket, the outcome of which will decide the villagers’ taxes for the next three years. The video delves into complex topics like the colonizer’s experience under British control, the repressive tendencies of British authority, and caste and religious concerns as they are experienced in small towns.

Taare Zameen Par (2007)

Taare Zameen Par is a sad Bollywood film. It’s about Ishaan (Darsheel Safary), who is dyslexic, but his parents don’t think he has the condition and blame his poor results on his lack of discipline and misbehaving. As a punishment, he is sent to a boarding school, where Ram (Aamir Khan), an art instructor, assists him in dealing with his dyslexia and discovering his true ability. You will cry when watching this film. It beautifully depicts mental problems while also demonstrating how Indian families ignore and blame their children for them. It’s sad to watch Ishaan struggle to study and hate himself for it. And the Maa song should be considered as the best emotional song of Bollywood.

3 Idiots (2009)

Three Idiots is a humorous parody of youth and education that follows three buddies from an engineering college to maturity. Backward, to be precise. But before they can truly reconnect with the past, two of them will have to seek down a long-lost buddy. This is one of the most loved Bollywood films of all time directed by the classic, Rajkumar Hirani.

Zindagi Na Milegi Dobara (2011)

Zindagi Na Milegi Dobara would have to be the movie that symbolized friendship and travel for the modern generation. This film is a tribute to Zoya’s ability to convey compelling stories. Because, while dealing with an issue as universal (but eternal) as friendship, she created a film that was both refreshing and relevant in all the right ways. And there was “Bagwati”, as usual!


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